Permanent Exhibition in Cultural Centre Jules Pascin in Vidin

Permanent Exhibition in Cultural Centre Jules Pascin in Vidin

The theme of humanity, tolerance, and communication between people emerged as the central idea shaping the content of the permanent exhibition. It highlights the power of tolerant interaction from two complementary perspectives: on the one hand, through the prism of the Jewish community of Vidin, told via stories of the city itself — a centuries-old, multiethnic and multicultural Danube town; and on the other hand, through the individual, via stories from the life and work of Jules Pascin — a world-renowned Jew from Vidin.

The architectural concept is inspired by the qualities of the spaces within the cultural centre and seeks to utilise and emphasise them. The spatial narrative begins with an invitation for visitors to gather around two long tables — an invitation to communication, discovery, and shared experience. Interaction with visitors is based on the principle of “action.” Information is revealed through bending down, touching, lifting, turning, and peering inside. It is arranged in several layers in relation to the table surface — within it, on it (texts and graphics), and above it (emerging objects) — so that different media and levels interactively convey messages.

Our role was to develop the overall narrative — content-based, scenographic, and spatial — from the initial concept through all stages of the project’s implementation and process management. The sensory journey we created weaves together a rich palette of food, paintings, models, comics, films, documents, immersive sounds, first-person narratives, and many other unexpected encounters.

Blue Bricks Flat

Blue Bricks Flat

The brief:

To adapt a classic Sofia apartment in a residential building from the 1940s for contemporary living.

Our approach:

We drew inspiration from the apartment’s existing spaces and atmosphere and chose to highlight and enhance them. The transitional living room became the main centre of life in the home, with all rooms opening onto it. The master bedroom is separated from the living room by a glass portal and a light linen curtain, allowing for varying degrees of privacy.
The kitchen — originally a separate room — was opened up to the shared living space and functionally and technically connected to a storage area, laundry, and toilet.

We made full use of every opportunity to add storage and ensured generous work surfaces along the kitchen countertops.
A bold combination of vivid colors and different types of wood was introduced. We preserved and highlighted several original elements of the apartment: the terrazzo flooring in the entrance hall, the original wooden floors, and the plaster ceiling ornaments characteristic of the mid-20th century. Mirrors were used to visually expand the smaller spaces, while the sofa, table, and lighting fixtures serve as key accents.

The result:

An apartment that brings together the historical spirit of Sofia with contemporary design and modern living comfort.

Permanent Exhibition at Konaka History Museum in Vidin

Permanent Exhibition at Konaka History Museum in Vidin

The project for the permanent exhibition at Konaka History Museum presents the millennia-long history of the Vidin region, unfolding within the building’s historic spaces. The architectural concept deliberately emphasizes their atmosphere and inherent values, transforming them into active carriers of the narrative.

The exhibition is based on the thematic structure developed by the museum’s scientific team and follows the principle of linear chronology.  The artifacts are placed at the center of attention, strategically positioned in the core of each gallery, where they resonate both as part of a collective narrative and as bearers of individual stories.

The modular exhibition elements function as visual and spatial storytellers, revealing both the tangible and intangible heritage of the region. Designed as independent museum furniture, they do not affect the building’s structure. Complementary seating elements provide spaces for rest, contemplation, and a deeper engagement with the exhibition.

Entomology Exhibition in the National Museum of Natural History at BAS

Entomology Exhibition in the National Museum of Natural History at BAS

The project for the new permanent exhibition in the “Entomology” hall is the result of our joint work with the team of the National Museum of Natural History at the Bulgarian Academy of Sciences. As architects, we first explored the space and drew inspiration both from the interior and from the museum building as a whole. The building is particularly interesting as it was the first of its kind in Sofia at the time — constructed in the 1930s specifically to serve as a museum. For this reason, we decided to preserve and highlight the existing spaces and details of the interior. The most characteristic interior element is the mosaic floor, and our project therefore aims to keep it as visible as possible. We also use the historic insect display boxes as a link to the past and to the history of entomological research.

In developing the concept, the museum team participated actively with their expertise, while our role was to translate the scientific information into a spatial and sensory language. In this way, we were able to highlight, through various approaches, both the systematic aspect of the information and the more holistic stories about the lives of insects and their coexistence with us.

The suspended wall in the middle of the hall is the literal and metaphorical backbone of the exhibition. Using a systematic method, this wall presents scientific knowledge about the structure of insects — who they are, what distinguishes them from other species, and what distinguishes them from one another.

The holistic section offers a series of immersive experiences, such as a fieldwork cabinet, where visitors learn how the study of insects in Bulgaria began and how it takes place today. In the night bar, visitors are immersed in the sounds and nocturnal activities of insects. The shared apartment, the beehive, and many other scenarios emphasize the place of insects in our lives and in the world as a whole.

The overarching idea of the exhibition, which unifies and gives meaning to all these narratives, is “The Butterfly Effect.” It is based on the understanding that every action or small change influences the whole, most often in ways that are unpredictable to us. The central idea and the approaches through which it is presented highlight the growing need for contemporary exhibitions to present facts and interdependencies in a holistic, accessible, and engaging way for visitors.

Listen to Bozhentsi Exhibition

Listen to Bozhentsi Exhibition

“Listen to Bozhentsi” shares many stories about the enterprising people of Bozhentsi — founders, merchants, craftsmen, builders, and benefactors. The exhibition teaches their lessons through games, storytelling, and surprising discoveries, showing the many ways in which we, too, can be enterprising.

At the center of the hall, we created the “Tezgyah” (market stall), where visitors receive hands-on lessons in entrepreneurship in a fun and engaging way. The stall and its interactions were also inspired by the workshops regularly organized by the museum team. In this way, we build upon the museum’s valuable practices, well-known and loved by Bozhentsi’s visitors. At the stall, objects form a kind of theater that encourages playful exploration of materials and artifacts. Visitors search for and discover the stories these objects tell.

Our role was leading — from shaping the visitor experience to transforming history into spatial narratives through the objects and installations of the stall. The museum team contributed the intriguing legends of Bozhentsi, while we, the architects, devised the playful ways in which they come alive in space.

Main Lobby of the Hospital for Childhood Diseases “Prof. Dr. Ivan Mitev” in Sofia

Main Lobby of the Hospital for Childhood Diseases “Prof. Dr. Ivan Mitev” in Sofia

The Task

To transform the lobby of the Specialized Children’s Hospital “Prof. Dr. Ivan Mitev” in Sofia into a functional space that provides a comfortable and healthy environment for both staff and patients. As the lobby is the intersection point of all circulation routes in the hospital and a central distribution area, one of the main challenges was to organize, in the best possible way, the flows of people and the waiting areas within a space of limited size.

The interior project encompasses the complete design of the lobby, two emergency examination rooms, and patient restrooms, including a baby care room. The main requirement from the staff was that the space be well-organized, provide sufficient storage space, room for medical equipment, and be easy to maintain and clean. The patient waiting areas needed to offer adequate seating, along with a designated play area for children.

Our Approach

We achieved zoning not through partitions, but through furniture, materials, and lighting. In the lobby, we addressed the main circulation challenge by positioning the reception desk at the most strategic point for welcoming and directing patients, close to the other circulation routes. This also allowed hospital staff to exercise the most effective control over movement within the space.

We created two patient waiting areas with an optimal number of seats, as well as a children’s play area featuring an installation of colorful pipes. In addition to serving as an attractive, welcoming element, the installation also helps separate the waiting areas from the flow of newly arriving patients.

Part of the task of enhancing the lobby also included renovating the patient restrooms. We added a baby care room, which was part of the hospital’s broader strategy to become a contemporary and comfortable place for parents and their children.

The color palette is restrained, limited to white, calm shades of green, and oak veneer — a combination that balances contemporary minimalism with a sense of warmth and homeliness. Pink accents are used sparingly to highlight characteristic interior elements, both new and existing, subtly enlivening the otherwise calm atmosphere of the lobby. A similar approach is applied in the patient restrooms, continuing the aesthetic of the shared spaces.

The addition of an extra emergency examination room played a key role in relieving the pressure on the single existing room, which had been functioning beyond its capacity. We also considered the needs of the staff, who require a change in sensory experience and atmosphere within the context of their demanding daily routine. The interiors of the examination rooms follow the same principles of minimalism and functionality, but with a different color palette. Here, we used light blue tones, white neutral surfaces, clean lines, and carefully selected details to create a sense of cleanliness and calm.

The Result

A bright and harmonious space in which every element has a clear function and place. The interior relies on thoughtful solutions that make the hospital’s operation more convenient, calmer, and even an enjoyable experience.

Training Centre

Training Centre

The task:
To transform a hall at the Specialized Hospital for Active Treatment of Childhood Diseases “Prof. Ivan Mitev” in Sofia into a training centre for families with children with diabetes.

Our approach:
We were working with a space on the top floor— not very high, but bright and with a wonderful view. The main function of the hall was to be a place where, in an informal and almost home-like atmosphere, parents of children living with diabetes could meet and talk, and where training sessions and meetings with psychologists could be held. At the same time, we needed to preserve the possibility for lectures, student exams, screenings, and similar events.
That is why we focused on flexibility. We enlarged the windows and designed shelving/bench seating along the walls. We created storage space for tables and chairs, concealed behind a curtain that can be drawn back when needed to expand the room. We chose pastel tones and wood to create a sense of calm and warmth—qualities so uncharacteristic of hospitals. We also decided to introduce color on the ceiling, to emphasize horizontality and visually connect the interior with the exterior space.

The result:
A space where children with diabetes and their families can communicate with specialists in a pleasant, relaxed, and non-stressful environment.

Lozenets Apartment

Lozenets Apartment

The brief:
To design a living room with a workspace and an entrance hall in the apartment of a family with two children.

Our approach:
In a 1970s apartment, a very large living room with a chimney in the middle had to become the focal point of family life while also accommodating a small home office. The entrance hall, with its period-typical mosaic flooring, needed to be transformed into a warm and welcoming space with adequate storage.

We focused on flexibility. We designed a striking shelving unit with movable panels that allow the appearance of the furniture to change. Around the centrally positioned chimney, we organized a workspace with low storage furniture that also provides seating. We used natural wood and warm grey tones to create a visual connection with the existing parquet flooring.

In the entrance hall, we made use of all the niches to create as much storage space as possible. This helped neutralize the fragmented layout and made the space feel larger. We preserved the original mosaic floor and again used wood and warm grey to create a sense of continuity and warmth.

The result:
A cozy apartment where the family truly feels at home.

Temporary Installation “Step Up and Face Fear!”

Temporary Installation “Step Up and Face Fear!”

The installation is part of the traveling exhibition Fake (f)or Real: the History of Forgery and Falsifications, House of European History, Brussels, which was hosted by the National Ethnographic Museum in 2024.

In addition to the guest exhibition, our role was to develop the concept and carry out the final installation — a special Bulgarian contribution. The experience offers visitors the opportunity to learn more about some of the tools of the propaganda machine today and in Bulgaria’s recent past. To help us tell the difference, the installation “Step Up and Face Fear!” shows how Bulgarian organizations such as Sofia Platform and the Foundation for Humanitarian and Social Studies help us better distinguish truth from disinformation.

One part of the installation focuses on exposing the main mechanisms of contemporary propaganda — so-called “mushroom websites” that spread fake news with the help of computer algorithms. Visitors are immersed in a multiplied space of mirrored walls with screens broadcasting fake anonymous news. The “mushrooms” sprouting from the ceiling of the installation, also endlessly reflected in the mirrored surfaces, symbolically contribute to the sense of propaganda surrounding us.

The other part of the installation presents the quieter voice of truth, which belongs to the real person with their own face. The personal testimonies of survivors of the Belene labor camp expose the mechanisms of propaganda and the suppression of differing views during the totalitarian regime.

The installation “Step Up and Face Fear!” presents truth and falsehood as an inseparable part of our lives, while reminding us that whether we live with one or the other depends on each of us.

Permanent Exhibition of the Historical Museum of Dupnitsa

Permanent Exhibition of the Historical Museum of Dupnitsa

The main objective of the new permanent exhibition is to transform the Historical Museum of Dupnitsa into a platform for encounter between the local community and local culture, and to activate interest in the area’s heritage.

The organization of the exhibition — both thematic and chronological, in terms of content and spatial arrangement—is based on the concept of storytelling, credibly and engagingly narrated by the “embroidery-storyteller.”

The museum spaces are transformed into a three-dimensional embroidery — the most vivid and recognizable element of Dupnitsa’s heritage. This “living” embroidery conveys a single overarching message: Dupnitsa holds extraordinary and unique stories from different periods, firmly woven into the fabric of the region. Enter the embroidery and listen to, see, and touch these stories. Step into the role of the weaver, wander through time, and follow the threads toward unexpected connections—from Antiquity to the present day.